Welcome back to our series on snare drum maintenance. In the previous post we discussed snares and how to tell when they should be replaced. Today we’ll address how to choose an appropriate replacement for worn snares.

The most important criteria when replacing snares is the number of strands, or individual wires in the set. As the number of strands in a snare increases, so does the response and sensitivity of the drum. If you are unhappy with your current snares count the number of strands and select a replacement accordingly. Increasing or reducing the number of snares on your drum is one of the easiest ways to change its sound and character.  

You should also select a set based on the depth of your drum. Deeper drums require more strands, while shallow drums require less. For instance, this piccolo snare is four inches deep and has a snare with sixteen strands.

This snare drum is six and half inches deep and has Puresound Percussion Custom Pro snares. They include twenty strands and a clever cotter pin design that allows the snares to be removed quickly to change heads.

We have many different snare choices available, including Puresound Percussion, Cannon Percussion, and Gibraltar.

Stop by or give us a call for help finding replacement snares! All of our contact information is right here.

Welcome to part one of our series on snare drum maintenance. In this series we’ll be discussing the common maintenance and upkeep that should be done to care for concert and drum set snares.

We’ll begin by discussing one of the most frequently overlooked aspects of snare drums: the snare wires. Much like drum heads, snare wires have a significant influence on the sound and performance of a drum, but unfortunately, they are often neglected.

How do you know when wires are worn and need replaced? There are two easy ways to spot a bad set of snare wires.

First, look for damage, including broken or warped strands. Individual strands that are not straight have more room to move and will vibrate longer than desired. The wires of this snare are warped, and caused excessive buzz.

Compare that with the wires of this snare, which are straight and undamaged.

If you have one or two strands that are warped you can easily remove them with a pair of pliers. If more than two strands are damaged it is probably time to replace the wires.

Second, listen for excessive buzz and sympathetic vibration. If your snares ring too much look for damaged and worn wires.

Fortunately, there are many choices for replacement snare wires. We will cover some of our favorite options, how to choose appropriate wires, and how to set up snare wires in an upcoming feature.

Stay tuned!

1. Gov’t Mule with John Scofield, February 28th, The Egyptian Room at the Murat Theatre.

Drummer: Matt Abts

Gov’t Mule will celebrate the 20th anniversary of their eponymous, debut release with guitarist John Scofield on February 28th at The Egyptian Room at the Murat Theatre. Drummer Matt Abts

2. Sarah McLachlan, March 10th, Murat Theatre.

Drummer: Kurt Bisquera

Although often associated with depressing commercials for animal rights organizations, there’s much more to McLachlan. The Canadian pop singer and Lilith Fair cofounder will revisit many of her hits when she visits the Murat Theatre on March 10th. She will be backed by veteran session drummer Kurt Bisquera.

3. Farrelly Markiewicz Quartet, March 14th, The Jazz Kitchen.

Drummer: Gene Markiewicz

Our good friend, and Indianapolis Jazz Foundation Hall of Famer, Gene Markiewicz will appear with the Farrelly Markiewicz Quartet at the Jazz Kitchen on March 14th to pay tribute to Michael Brecker.

4. Stewart Copeland, March 27th, Clowes Hall.

The well-known drummer for The Police will visit Indianapolis with pianist Jon Kimura to perform chamber music. Their program will include Copeland’s original compositions and Parker’s adaptation of Stravinsky’s “The Rite of Spring”.

5. The Wayne Shorter Quarter, March 21st, The Palladium.

Drummer: Brian Blade

Legendary saxophonist Wayne Shorter will appear in Carmel with his quarter on March 21st. He will be backed by Brian Blade, a versatile jazz drummer who has worked with artists as diverse as Chick Corea, Bob Dylan, Joni Mitchell, Joshua Redman, and Norah Jones.

6. Primus and The Chocolate Factory, April 12th, The Murat Theatre.

Drummer: Tim Alexander

Primus will return to Indianapolis on April 12th to perform their rendition of the soundtrack to “Charlie and The Chocolate Factory” with backing from The Fungi Ensemble. Joining them will be original Primus drummer Tim “Herb” Alexander, who recently survived a heart attack.

7. Billy Cobham, April 17th, The Jazz Kitchen.

Legendary jazz drummer Billy Cobham is remembered as the first drummer of Mahavishnu Orchestra and for his extensive solo career. When he performs at the Jazz Kitchen on April 17th he will celebrate the 40th anniversary of Spectrum, his classic solo album.

8. Herbie Hancock and Chick Corea, April 18th, The Palladium.

When jazz legends Herbie Hancock and Chick Corea visit Carmel on April 18th neither will play drums or percussion, but that’s no reason to miss them. Both debuted with Miles Davis in the late 1960s and early 1970s and have remained at the forefront of music ever since.

9. Wilco, May 7th, Murat Theatre.

Drummer: Glenn Kotche

Since joining Wilco before their 2002 release Yankee Hotel Foxtrot, Glenn Kotche has become an integral part of the Chicago based band. Part drummer, part percussionist, Kotche’s creativity is unparalleled.

10. Funkadelic, May 14th, The Vogue.

Funkadelic, Rock and Roll Hall of Famer George Clinton’s band, will visit Indianapolis to promote their 2014 release First Ya Gotta Shake The Gate. Expect all the psychedelic funkiness you can handle. The show is 21+ only.

About the Author
Glen Allman works part-time at Chops Percussion, mostly on Saturdays. He also builds and restores drums. You can learn more about Allman Drums at www.allmandrums.com.

Have you ever gone to bed at night after your indoor percussion rehearsal and had an incessant ringing in your ears? If you have, that is your body telling you that you’ve done some damage to your hearing. Please know that hearing loss is irreversible, so you need to start protecting your ears NOW! How, you ask? There are a couple of great ways to do so.

• Earplugs – These should be essential to your playing and performing. Many of the percussion instruments used in an indoor show are played at a high volume for long periods of time, so you need to be protecting your ears. Do yourself a favor and start using earplugs now. Tell yourself that ear protection is just as essential as the sticks and mallets you use to play. If you’re a cymbal player and execute many loud crashes at ear level, this advice applies to you as well.
• Headphones – Not so great if you’re trying to make a fashion statement while playing, but hearing is way more important than looking cool! These are great if you have hypersensitive ears and they allow you to hear the music you’re playing while cutting out all of the dangerous frequencies. A great option if earplugs are uncomfortable for you to wear.

A gym is a very tough listening environment for percussionists, so hearing protection not only safeguards your hearing, but it may allow you to hear more of what you need (the music that you and your group perform) and less of what you don’t (the unwanted high frequencies associated with loud music).

You can buy your earplugs here: https://www.chopspercussion.com/run?id=8
Feel free to e-mail us at chops@chopspercussion.com or call 877-900-DRUM if you have more specific questions regarding hearing protection.

You only get one good set of ears in your life, so take care of them!!!   

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