Which One Is Right for Me? Grover Pro Percussion Chime Mallets

With every instrument in the percussion world, you always have multiple choices of which implement to use to get the sounds you are looking for in your performing ensembles. Today, we look a the two Grover Percussion mallets designed specifically for the chimes. The two mallet options offer a good balance and can work well in many musical settings. Let’s take a look below at the similarities and differences between the two models.

Grover Pro Percussion PM-3

Grover Pro Product Image

The PM-3 model is the smaller of the two chime mallets offered by Grover Pro Percussion. Made with high-density PVC, the mallet head features dual surfaces to meet the demands called for in the musical repertoire of todays percussion world. One side has a hard surface for more aggressive playing while the other side features a softer rubber surface for more subtle playing with less articulation. This model (PM-3) has a weight of 130 grams and features a 1.5″ head size, which is the smaller of the two mallet options.

Grover Pro Percussion PM-4

Grover Pro Product Image

The PM-4 model is the larger of the two chime mallets offered by Grover Pro Percussion. Made with the same high-density PVC as the PM-3, this mallet head also features dual surfaces to meet the demands called for in the musical repertoire of todays percussion world. One side has a hard surface for more aggressive playing while the other side features a softer rubber surface for more subtle playing with less articulation. This model (PM-4) has a weight of 180 grams and features a 1.75″ head size.

In both models the 9.25″ handle had a flat design which can help ensure a more accurate strike as well as enhance the durability since there is no way to ever

Which is best for me or my group?

Now you may be asking yourself which mallet is the right fit for me or my group. Here are a few things to consider before making the decision on which model to use.

  • Size of the Chime Tubes – These are typically either 1.25″ or 1.5″ in diameter. You may see the 1.25″ options more often in a middle school setting.
    • You may want to consider using the PM-3 mallet of the smaller (1.25″) tubes. Less weight on the smaller tubes will get you the optimal sound without overplaying.
    • The PM-4 would be the go to model for the larger 1.5″ tubes.
  • Type of Music Being Played – Is the music a ballad? An overture?
    • For more subtle but articulate playing in a ballad you may think about using the PM-3 regardless of the tube size, since the reduced weight and size of the mallet can assist in the overall reduction of sound without force.
  • Instruments you might be Doubling – Is the chime part mirroring a wind/string instrument?
    • If the part is doubling another instrument consider the range and timbre of the wind instrument and make an educated choice on what works best. The PM-4 might be a better choice with a mid-to-low range instrument, where as you might find the PM-3 is a better option for doubling a high range instrument.

Overall, the Grover Pro Percussion chime mallets would make an excellent choice for a go to set of mallets for your school. You may even consider get a set (sold individually) of each to have the ability to adjust to the musical setting as needed, and these would make an excellent addition to any mallet collection you may already have for you chimes.

If you have any questions or want to check on pricing and availability you can check them out on our website. (Links Below)

PM-3 – https://www.chopspercussion.com/product?item=7014084

PM-4 – https://www.chopspercussion.com/product?item=7026926

For more recommendations on the many great Grover Pro Percussion products send us an email at chops@chopspercussion.com or give us a call at 1-877-900-DRUM!!

Avoiding Burnout: Thoughts and Tips to Help Young Musicians

Everyone goes through ups and downs as a musician, and young musicians trying to get better are no strangers to those struggles. It is easy to get lost in the grind of practicing everyday to improve and at times hitting a wall that can be hard to push through. It is easy to find yourself getting “burnt out” when working so hard on something you are passionate about or striving to reach a goal that your are currently struggling with. We wanted to share some tips and thoughts that we hope can help you avoid burnout and reach your goals as a young musician.

Balancing the Schedule

One of the first steps in avoiding burnout is maintaining a balanced schedule. For instance, if you practice violin for three hours straight, it’s important to take regular breaks to rest your mind and body. Integrate non-musical activities into your day, such as reading, walking, or spending time with friends. This balance ensures that you’re not overloading on practice and gives your mind time to relax and rejuvenate.

Prioritizing Physical Health

Good physical health is crucial for musicians. Regular exercise, a balanced diet, and sufficient sleep are vital. Musicians often face repetitive strain injuries, so incorporating stretches and exercises into your routine can prevent these. For example, yoga or Pilates can enhance flexibility and strength, helping to avoid injuries that come from long practice sessions.

Focusing on Mental Health

Mental well-being is as important as physical health. Engaging in mindfulness practices, meditation, or hobbies unrelated to music can help maintain mental clarity and reduce stress. If you find yourself overwhelmed, consider talking to a counselor or therapist. Many musicians benefit from having a safe space to discuss their challenges and anxieties.

Building a Support Network

Having a robust support network is invaluable. Surround yourself with friends, family, and fellow musicians who understand your journey. For instance, joining a local music group or an online community can provide a platform to share experiences and gain support. Having a sounding board for your thoughts can significantly alleviate stress.

Setting Realistic Goals

Setting realistic and achievable goals is essential. Instead of aiming to master an entire concerto in a week, break it down into smaller, manageable sections. This approach makes goals less daunting and more attainable, providing a sense of accomplishment along the way. Celebrate these small victories to keep motivation high.

Mastering Time Management

Effective time management skills are crucial for balancing practice with other life demands such as homework, time with friends and part time jobs. Prioritize tasks and allocate specific times for practice, rest, and leisure. For instance, you could dedicate mornings to intensive practice sessions and evenings to relaxing activities. This structured approach ensures you don’t neglect any aspect of your life, contributing to overall well-being.

Adding Variety to Practice

Incorporating variety into your practice routines can prevent monotony and keep things interesting. Explore different genres, techniques, and musical challenges. If you usually practice classical music, try jazz or pop to keep your sessions engaging and expand your skills.

Seeking Professional Guidance

Seeking guidance from teachers or mentors can provide constructive feedback and support. They can help identify areas for improvement without overwhelming you. For example, a mentor can suggest specific exercises to enhance your technique or recommend pieces that match your skill level, offering a balanced perspective on your progress.

Creating a Healthy Practice Environment

A conducive practice environment is essential. Ensure your space is comfortable and free from distractions. A well-organized, pleasant space can enhance focus and productivity. For instance, setting up a designated practice area with good lighting and a comfortable chair can make a significant difference.

Taking Regular Breaks

Incorporate regular breaks during practice sessions to rest and recharge. The Pomodoro Technique, which involves working for 25 minutes and taking a 5-minute break, can be particularly effective. These breaks help maintain concentration and prevent burnout.

Managing Performance Pressure

Managing performance anxiety is crucial. Techniques like deep breathing, visualization, and positive self-talk can help. Remember that not every performance has to be perfect. Focus on growth and learning rather than perfection. For instance, view each performance as a step in your musical journey rather than a final judgment.

Staying Connected to Your Passion

Most importantly, remember why you started playing music. Keeping the joy and passion for music alive is key to long-term sustainability. Enjoy the process, celebrate small victories, and stay connected to the love that brought you to music in the first place. For example, revisit your favorite pieces or try composing your own music to reignite your enthusiasm.

By integrating these strategies into your routine, you can navigate the demands of being a young musician while maintaining your well-being and passion for music. Remember, the journey of becoming a musician is a marathon, not a sprint. Embrace the small victories, stay connected to your love for music, and prioritize your mental and physical health. This balanced approach will help ensure that your musical journey is fulfilling, sustainable, and filled with joy.

Summer Learning: Snare Solo Resources

Fieldstar Marching Snare Drum MS1409 / MS1412 | Fieldstar | TAMA |  BERGERAULT MARCHING PERCUSSION | PRODUCTS | TAMA Drums

While summer is a great time to take a break, it is also one of the best times to work on your technique and take some time to learn some new solos. One of the best things you can do as a young rudimental drummer is challenge yourself by learning solos, even when you aren’t preparing something for a solo and ensemble type of event. We thought we could share some of the best solo compilation books out there that we think can fit any drummers needs no matter that level of experience. We are sure you can find a few solos in there that will challenge you over the summer months!

 

14 Modern Contest Solos' For Snare Drum by John Pratt

14 Modern Contest Solos for Snare Drum by John S Pratt

This is one of the classic and well-known rudimental snare solo books. If you have gone through any music program, you will have surely played at least one solo from this book and if not it is well worth buying and learning the solos in here. The books does have varying levels of difficulty with the solos but most are on the medium to advanced side and will offer a challenge. This book is an excellent resource for students and educators alike with solos like “Drum Corps on Parade” being on of the most played solos ever. Excellent attention is paid in this book to highlighting the various rudiments used in each solo and is a staple for work on your roll, flam, and ratamacue rudiments. A must have!

The Rudimental Cookbook : A Collection of 25 State of the Art Rudimental  Snare Drum Solos and Developmental Exercises From Easy to Extremely  Advanced: Edward Freytag: 9781933001012: Amazon.com: Books

The Rudimental Cookbook by Edward Freytag

The definitive snare drum solo-method book. Includes the 26 American Standard Rudiments, the Percussive Arts Society Rudiments, an extensive list of Drum Corps Hybrid Rudiments and 25 rudimental contest solos. A must for anyone that’s serious about playing the snare drum. You can also get a downloadable version of each solo on the Rowloff website.  Available for purchase directly from Rowloff.

Just Desserts - Absolute Companion to the Rudimental Cookbook: Edward  Freytag: 9781933001289: Amazon.com: Books

Just Desserts by Edward Freytag

This follow-up compilation of solos to the original Rudimental Cookbook, expands on the vast array of technique and musicality you can gain from working through all these solos. One of the best aspects of this compilation is that it is fun to use some of the easier solos as sight reading practice if you are a more advanced player. This collection of 25 rudimental snare drum solos ranging from easy to extremely advanced. Includes exercises and an up-to-date, extensive hybrid rudiment list. Available directly from Rowloff.

Various-Ziggadabuzz (Book with CD) | Steve Weiss Music

Ziggadabuzz by Promark Artists

This compilation of solos from various Promark drumstick artists, will be challenging for students of all levels. Each solo also has some accompanying exercises that will help you master some of the more challenging sections throughout the solo. There is also a CD/DVD available with some of the artists performing the various solos for even more help on how to play and approach certain parts of each solo. The advanced level solos in this compilation will be a challenge for even the very best performers! This book can be purchased directly from Rowloff.

ProMark Scott Johnson Hickory Signature Marching Snare Drum Sticks -  FireGrain For Playing Harder, Longer - No Excess Vibration - Lacquer  Finish, ...

 

While there are many other solo options, we think these are great as they allow for progression from easier to advanced solos as well as some more focused attention on techniques you may need to be working on. While we don’t normally sale these books, you can find these online and order everything directly from Row-Loff productions (www.rowloff.com), with the exception of the John Pratt book which you can find at many other online sheet music retailers like JW Pepper.

We hope this will inspire you to start learning something new this summer and keep you motivated as the next school year and marching season approaches. If you have a private teacher, talk with them about learning a solo for fun and improve a little bit everyday!

And of course if you need a new pair of sticks or a new practice pad give us a call and we can give you some recommendations based on what you are working on and the school you attend. Happy practicing!

Marching Tenor Head Comparison: Which head is right for you?

It’s that time of year when you may start reflecting and considering a change in your head selection for the upcoming marching band season. While there is some variety in marching snare and bass drum heads, there is a large variety of tenor head options available for you to choose from. Hopefully this product breakdown will give you more insight into the most popular options, as well as how each option might work for you and the overall sound of your band. We have listed some of the more popular models from both Remo and Evans below with the characteristics of each listed.

remo-drumheads-logo | Pacific Crest Youth Arts Organization

Remo Marching Tenor Heads

  1. Remo Pinstripe Clear:**popular model**
    • Sound: Clear and controlled sound with internal dampening process.
    • Projection: Outstanding attack, clear projection.
    • Durability: Very durable, suitable for high-tension tuning.
    • Materials: Made from two 7-mil Mylar plies with a dampening agent. 14 mil total
  2. Remo Emperor Clear:**popular model**
    • Sound: Provides bright and open tones with plenty of sustain.
    • Projection: Increased volume and overall projection
    • Durability: Good durability, although not as robust as the Pinstripe.
    • Materials: 2-ply 7.5mil clear film, 15mil total.
  3. Remo Emperor Renaissance:**popular model**
    • Sound: Warm tone with controlled sustain
    • Projection: Clear articulation yet controlled and refined.
    • Durability: Durable, but does require more frequent tuning.
    • Materials: 2-ply of 7.5mil proprietary texture coating, 15mil total
  4. Remo Emperor Suede:
    • Sound: Warm tone and big sound.
    • Projection: Maximum articulation.
    • Usage: Durable and useful outdoors.
    • Materials: 2-ply of 7.5 mil proprietary Suede textured film, 15mil total
  5. Remo Emperor Smooth White:
    • Sound: Bright tone and clear attack.
    • Projection: One of the more articulate and highest projecting models.
    • Usage: Preferred for outdoor performances due to its projection.
    • Materials: 2-ply of 7.5 Smooth White Film, 15mil total

EVANS DRUMHEADS Logo Vinyl Die Cut Decal Window Color & Size Choice

Evans Marching Tenor Heads

  1. Evans TCX:**popular model**
    • Sound: Full, Rich tonal spectrum with enhanced volume and clarity.
    • Projection: Increased projection and articulation.
    • Durability: Highly durable, suitable for high-tension tuning.
    • Material: 2-ply 7mil clear film, 14mil total
  2. Evans Marching EC2S:**popular model**
    • Sound: Focused Sound
    • Projection: Controlled overtones that help give clear articulation
    • Durability: Highly durable with the extra SST controls, similar to Remo Pinstripe.
    • Materials: 2-ply 7mil clear film with SST tone control, 14mil total
  3. Evans MX Frost:
    • Sound: Warm Resonance and Tone
    • Projection: Highest Projection amongst Evans heads
    • Durability: Highly durable, suitable for high-tension tuning.
    • Materials: 2-ply 7mil clear frosted film, 14mil total
  4. Evans MX White:
    • Sound: Warm Tone with Focused Sustain
    • Projection: Firm Projection and Defined Attack
    • Durability: Highly durable, suitable for high-tension tuning.
    • Materials: 2-ply 7.5mil White film, 15mil total
  5. Evans MX Black:
    • Sound: Bright Attack with very open sound
    • Projection: Higher Level of Projection than the MX White with more resonance than an EC2S.
    • Durability: Highly durable, suitable for high-tension tuning.
    • Materials: 2ply 7.5mil black film, 15mil total.

The abuse of question marks — #67 | by Jon Jackson | 100 Naked Words |  Medium

Which one is right for me?

Ultimately, you will need to consider the type of music you are using in your show, strength of players, number of musicians on the field, performance venues, amongst other things, when picking out the head you want to use in marching band on your tenors. In general if you have a larger line and a larger band you may need to consider something that will give you the fullest sounds and maximum projection or something like the Remo Emperor Suede, Remo Emperor Clear or the Evans TCX. If you are still unsure and durability is more important to you for budgetary reasons then either the Remo Pinstripe or Evans Marching EC2S would be the top choice and two of the most popular models for marching tenors.

If you have specific questions or need advice in finding the right sound for you, give us a call at (317) 813-2070, or email us at chops@chopspercussion.com!

 

IPA State Finals: Tips for Warming Up Outside

Terre Haute, Indiana is Ready to Host Your Next Sporting Event

The IPA (Indiana Percussion Association) State Finals at The Hulman Center (Indiana State University) will require an outside warm-up next weekend. Those groups who have performed in Dayton for WGI Championships or participate in circuits in warmer regions of the country know this is a normal process. The outside extended warm-up can be very beneficial to preparing for the large arena environment. But for those who have not gone through that process before, here are some tips to make sure the experience is smooth and beneficial for everyone.

  • KEEP A VERY CLOSE EYE ON THE WEATHER. Be prepared for cold, rain, wind and heat.
  • Take jackets and coats to warm-up. Have a parent push around a large plastic trash can for the kids to ditch their jackets as they enter the arena. They might not need them, but it’s better to be prepared. Standing in a parking lot freezing before your final performance isn’t going to help you have a relaxed, confident performance.
  • Be prepared to change on the bus. If you aren’t showing up in uniform, don’t plan to go inside to change. This may be a possibility, but it is usually much easier and quicker to take turns changing on the bus.
  • Have plenty of plastic tarps. We all hope for perfect weather conditions on contest days, especially when the warm-up is outside, but that isn’t always the case and it’s best to prepare for inclement weather. Don’t just bring a couple huge tarps to park the equipment under. Bring smaller tarps that can stay over the electronics carts while rolling from warm-up to the arena.
  • Have plenty of bungee cords. You’ll need those tarps strapped down if it’s windy!
  • If it looks to be sunny and warm, make sure to bring water. An hour in the sun, on asphalt, can wear the students down quickly.
  • If having your electronics on during warm-up is important to you, TAKE A GENERATOR. There might be power available in the warm-up lot, but don’t plan for it.
  • Keep electronics dry at all costs!
  • Be aware of the Inclement Weather/Tent Schedule and use your time in the tent if you have any concerns about the weather. This includes very cold and/or windy conditions.
  • Finally, directors and staff – Since this is only the time for everyone at this venue, get there early and take the time to walk the flow in and out of the arena so you’re familiar with it. Also, allow enough time for your student performers to go in and watch a couple groups so they can get the feel for the arena, along with the on-and-off-the-floor flow.

Good luck to everyone performing in the IPA State Championships this weekend!