We’re all stuck at home and a good friend thought we should post this again. Sometimes you need some comfort food in uncertain times. Well, this week’s guest blogger, Glen Allman, has got your back. Read on…
It’s the middle of the IPA season and with all of the rehearsals and performances that keep you eating on the run, you may want to slow down and treat yourself to something hand-crafted. Well, this week’s guest blogger, Glen Allman, has got your back. Read on…
Hello and welcome back to the Chops Percussion blog!
Two weeks ago I introduced this series of posts on rock and roll instrumentals with some of my favorite, radio-friendly tracks. We covered five classics, such as Rush’s “YYZ”. If you missed it, its available here. Today I’m going to continue by introducing some more obscure tracks.
In 1969 Frank Zappa released Hot Rats, a classic, largely instrumental album. At the time of its release, Hot Rats was innovative due to Zappa’s creative use of 16-track recording equipment. “Peaches en Regalia” quickly became one of Zappa’s better known works, and a jazz fusion standard.
Funny story, back in 2012 I was at game five of the National League Division Series between the Cincinnati Reds and San Francisco Giants. When the Reds lost, after previously holding a 2-0 series lead, the stadium DJ immediately played “Peaches en Regalia”. It was a surreal moment, hearing an obscure Zappa tune after a demoralizing, season ending loss. Such is the life of a Reds fan.
Hello everyone,
I hope that you have all been enjoying your early Spring! The 2017 Indiana PAS Day of Percussion at DePauw University is coming up fast (Saturday, April 8th 2017), and I wanted to send out an update.
Check out our updated website with more information about the DoP!
http://community.pas.org/indiana/daysofpercussion
I have also attached a flyer to this email that you can post and share with anyone who might be interested!
This year we will be welcoming She-e Wu of Northwestern University, Brian Mason of Morehead State University, and local drum set artist Kenny Phelps.
Hey folks, welcome back to the Chops Percussion blog! I know it’s been a while since I rapped at you, but I’ve been busy not working on Saturdays. I’ll tell you, it’s been tough.
Today I’d like to start a brief series on rock and roll instrumental songs. A couple months back a friend and I started compiling a list of our favorite rock and roll instrumental tracks. We came up with a couple dozen off the top of our heads, then continued research on the internet. Eventually we came up with the following criteria for a track to make the list:
Songs that crossed over to rock and roll radio from another genre, such as jazz, were eliminated. For instance, fusion classics such as “Birdland” by Weather Report, and “Red Baron” by Billy Cobham were not eligible.
Songs that were largely instrumental, but included several words were also not eligible. For instance, a personal favorite, “David Bowie” by Phish was eliminated.
In part one of this series I’ll start with some of the better known classics. You may be familiar with these, because they’ve been on the radio at one time. Take the time to listen to each track and study the drummer’s
For further listening, be sure to check out the live version that later appeared on Exit . . . Stage Left, which includes a brief drum solo.